There are a few teething problems, but I’m sure it’s nothing that won’t be overcome in time. The most imperative thing that needs a little attention is the presence of the hole that’s been drilled for the ducting. James had organised a massive 7″ core drill to be onsite for the job, but the work that was carried out didn’t use that tool, so we’ve got a preliminary hole for the moment. This will have a lovely grille over the front of it in a couple of weeks, and eventually it will be covered by hydrangea or otherwise. But for now, we don’t want any little beasties crawling in and making a home before we do.
hole and bits
Terry and Josh have been working hard on the stairs. There is an incredible amount of chipping, gluing, measuring and fitting involved. And inherently, there is a lot of up and down, up and down, so it must be tiring. The bottom steps were set into place and they look ever so graceful. We can actually use the stairs now, but they’re still covered up with protection, and I think James will keep the ladder up as long as possible to prevent boots from risking accidental chamfering off of the square nosings. It’s interesting to see the scaffolding morph into different positions as required during a working day.
The fiddly CNC’d secondary newel posts arrived as well, and Mike and Clive have covered them in a lovely coat of their favourite, Osmo. They look a bit lonely off the stairs, but they look great in the pdf files–can’t wait to see them go in.
tool bedsecondary newelsnot-quite-fitted
graceful first step
Some of the floor on the landing doesn’t quite meet up with the oak. It is extremely difficult to foresee these join details in planning the house, and lots of these things will emerge in the coming weeks as we race towards the finish line. So today’s decision was to choose a wood detail to act as a mini-skirting. We could have a full-height skirting just like the rest of the house. Or, we could fit a cut-down bit of architrave of the same profile as the rest of the house, or even a tiny bull-nose piece of oak that joins the floor and the beam. Since the structural oak remains the most substantial feature of the build, and the goal is to expose as much of it as possible, we’ve gone ahead and chosen the bull-nose, but as low as possible so we don’t have to chop the dowels, and as thin as possible so it doesn’t look silly.
More site meetings, more baking. Ben’s been very patient with us over the time it takes to make these little decisions. Hopefully by the end of the project we’ll get the process dialled and each one won’t take so long. But for now, seeing bits and pieces in situ helps a lot, and sometimes this means climbing up ladders and holding bits of wood up to see how they look!
keeping the troops going on cake at a timethe things you do for clients, Ben
We finally bit the bullet and removed the oak collar on the clad sections in the master bedroom. Hands in the air, we fully admit to being over-enthusiastic with Neil when we designed the piece. Although the king-post and curved webs were awesomely built, and Terry, Josh and James spent a week installing it, we felt adding them was a decision made in haste so we asked them to take it down. I’m more than a little embarrassed about this decision, but it had to be done. Now it feels like we can breathe in the room.
The guys initially thought they’d have to take down a load of plasterboard and really fight with the screws that held the cladding to the oak. But in the end, they managed to cut the insulation and plasterboard in a nice straight line along some temporary battens put up temporarily alongside the cladding, and the oak was drilled out with a minimum of destruction. Very impressive. We now have to hang fire until Neil can manufacture the new cladding and get it to site. This stuff will be slightly thicker so it meets in the middle thereby covering up the central steel beam.
… and we can finally breathe again
makings of a really nice bird house from the old oak beams
The sun is swinging around towards the front of the house during the day, and it belts in through the front bay in the afternoons making all sorts of lovely shadows and lines.
The bathrooms are getting tiled and painted, and the bedrooms are getting their dressing of trim in the skirting and wardrobes.
Next week will see the groundworkers returning. They’ll start on the patio around the back, and they’ll swing up to the side of the house before they hit the front. Then it’s the all-important bridges. Tony the structural engineer is putting the finishing touches on the design before issuing instructions to Tim and his team. The goal at the moment is to devote resources to the interior as much as possible and leave the drive until last.
Tim had the club tiles moved up another rung this week. It’s a tiny little detail, and it took a lot of effort to move everything up just one course, but we’re very grateful and it looks great–thanks, Tim!
front of the houseback of the house in the sun
We finished the week with a trip to Rye to visit Nick and see how the painting is coming on. He’s so accommodating and patient with our numpty questions, making us cups of tea, even talking about Gillian about her GCSE final piece and taking us for a tour of Rye Creative. It’s lovely to see the painting again and to have a little bit of input into the work. Gillian and Matt joined us, and after a lovely lunch at The Globe, we spent the afternoon wandering around Rye Harbour, dodging waves, looking for jellies and doing a spot of geocaching. The weather closed in near the end, and it was great to finally see Rye in a bit of sun for a while as in all the previous times I’ve been down there, I’ve been treated to a bit of horizontal rain and lashing gales.
creating some new ideastools of the tradebig beachhow do you work this thing again?
On Sunday we scooted down to Plumpton to visit a marble shop and look at basins for the ground floor WC.
downstairs sink?
We got all distracted by some awesome marble for the floors as well. I tend to veer off into silvery-grey and Clinton tends to like the beige colours.
On Monday we said goodbye temporarily to the brick team. They’ll be back to fill the gap under the roof between the current course and the roof itself when the roof gets built up. They’ve probably been onsite longer than anyone: maybe Nic was here as long but its close.
thanks Johnny, Tom, Paul and Mick (and Dave and Glen offsite today and missed their photo-op)!
We took a couple of days to pay a visit to our windows. They’re made in The North.
are we in Scotland yet?
Grantham is nowhere near Scotland, neither is it part of The North at all if you speak to anyone in Harrogate, but it’s still a long way from Kansas, and it felt quite North to me (cue GoT reference here).
The windows are cut, welded and polished before being blasted, treated, waxed and polished.
masses of extruded bronze gets replenished every couple of weeksbronze extrusions are cut to sizerough weldsone of the expert welders, either Jimmy or Jimmythe other expert, Jimmywhat these guys don’t know about welding isn’t worth worrying about
polished weldsblastingpost-blast
Now for a good dunking.
patina bath
There are four tanks of different chemicals, and each stage is timed down to the minute of how long the frames sit in each tank of goo. They use an alarm system and headphones so the operator knows which windows come out when.
timing chartwax off
It was great to meet Ken who showed us around the factory, and he introduced us to Martin the shop floor manager. The two of them introduced us to our windows! Ta-da! How amazing to finally see the windows actually existing. My first correspondence with Ken was around May 2014, so this project has been a long time coming, we’ve had much hemming and hawing over whether to go expensive bronze or not, and Ken must be jolly relieved to see the project come to fruition and get us out of there!
our job!
proudevery opening is numbered to match the drawings
everything gets treated–even the hingesmore of our job with bound glazing beads standing all ready to go
Ken and Martin showing us #62
doors are made in another (larger) area
That was the frames in a nutshell, and I haven’t even got to the glass yet! They buy the glass in, and then it’s inspected, hand cut to size, toughened, glazing bars installed and then vacuum sealed and cleaned. It’s quite a precision process and uses some of the best machinery in the country to do the job.
Andy runs the glass area, and Ken and he showed us around.
curves are cut with this machinethe lead glazing bars are cut from rolls and soldered on to one side of the glasseach join is solderedoffcuts are recycled, same with the glasswe’ve gone for this kind of oblong bead that looks more hand-weldedsatin glass for the obscured bathroom windows
We knew the window package was just about the most expensive bonkers thing on the menu for the house. Everyone we spoke to, when we tried to value engineer the build early on, quite rightly suggested that we bin the bronze and go for a most cost effective (and normal) aluminum or wood window. I’m very grateful to Ken for showing us around and letting us see first hand that the job they do is not just about the materials, but more about the craftsmanship and the dedication to doing an excellent job. We were blown away.
Delivery date onsite is 09 Jan 2017.
and we got a night away as well–what’s not to like?
Before venturing back down South, we paid a visit to an artisan metalwork shop with the idea of making some balusters for the stairs out of some sort of metal. Little did we know that we’d hit hip-and-trendy metalwork central. They cast all sorts of door handles and things out of all sorts of metals from their little showroom hidden upstairs in an old-fashioned industrial estate just outside Nottingham. I have my eye on a door push for the front door which is cast from an actual twig. Watch this space.
twigs
We even got to go to Belton House for a coffee before the sun set.
All good things must end, so back home we went.
And back onsite… James, Terry and Josh are working to get the dormers exactly right.
A visit to the joinery company that is doing the stairs, the oak subframes for the windows and the external doors.
Paul is our Area Manager and he’s always said to come on down and have a visit. As we’re getting to some crunch points with decisions, it sounded a great time to scoot to Andover to have a look. Today I got the chance to meet Gerald the MD, and he and Paul both took me for a tour of the factory before sitting down to talk design.
The factory is enormous. But it’s family run and has grown from a shed to a business with over 60 employees in a generation. There are 28 guys on the factory floor spread out into separate areas. There is a room for the initial cut as the laminated boards arrive from Germany, another for making tenons and mortice joints, another for windows, another for painting, another for stairs, and another for doors with CNCs, lathes, wrapped finished pieces and components all neatly placed in stacks per job. I’ve probably left out a few rooms,….but the guys were really busy as we went around, and everyone was really friendly and very patient with my picture-taking.
I was thrilled to see our job taking up (a large part of) the floor!
window subframes … and more window subframes with jointsLaminates are used for the uncut beams so there won’t be any knots. They’re cut to section size on the outside dimensions, then they’re sliced on the remaining dimension to length, and finally, the mortice and tenon joints are cut in. Gerald fitted one of our subframes all up and assembled for me to have a look; the joints are seamless and the facing sides beautiful.
our job. all three stacks with little white labels waiting to be cutThere are over 70 windows in the house, and each requires more than four bits of wood to make the subframe. Some of the larger pieces, like the sills, are made of two pieces with an air gap in between them to let them bend and settle on installation (I think?!)
We’re having clear Osmo coated frames and doors to retain the natural look of the wood, but it was still awesome to see the painting room. The windows are suspended on a series of hooks strung up to a yellow motorised track. They trundle past the guys to get a good coat of paint (150 microns a layer) and continue on to the other side of the wall to dry. Water is spritzed in to keep the paint from drying too quickly, so the room feels slightly tropical. This waterbased paint takes about 1.5 hours to dry, but our clear Osmo will go on with a brush and take 3 days to cure entirely.
the painting room some stairs (not ours yet) and CNCThe stairs will be cut on a giant laser-guided CNC machine. I got to see a partially-build curved staircase made of gorgeous walnut; Paul had wanted to check the progress on it as he’d seen it the week before and it’s great to see these things evolve. Each piece for every job is drawn up, plugged into the computer and CNC’d to fit together perfectly. This particular job was gorgeous, and the whole operation is a real engineering marvel.
I’ve come away with some samples of different sized newell posts, a picture of cross sectional balustrades, two actual balusters to think about, and a lot of information about the front door from a discussion with Paul, Gerald, and Sean the Main Technical Manager. It’s going to be a busy weekend thinking through all this.
From Andover back to base, I had a chance to climb up the scaffold and have a look at the new bedrooms.
West Wing east wing door to front bedroom back bay, pre-oakWhat was the name of the first lady to fly across the Atlantic? What was the name of her airplane? What was the name of the Japanese city that was spared the atomic bomb and why? What were the names of those bombs? We’ve already nailed the name of the plane that dropped them along with the name of the guy who broke the sound barrier. We did moon landings a few weeks ago, and I’ve overheard a discussion about the bass line in Eagles songs when the guys first came onsite. I probably need some help brushing up on general knowledge if I spend too much more time onsite….
Paul and Dave: proshttps://youtu.be/PfuIcSZRgdA
Thursday
Back to Sussex we go!
Bluebell Railway from the car parkAnother breathtakingly gorgeous drive in the time machine to visit our oak structural frame. It gets loaded on Friday and will be onsite on Monday. I will miss this drive! Neil gave me a tour of the pieces, and in particular wanted to show me the showstopper piece he sourced for us.
ta-da!
The single-piece curved beam is a success. The alternative would have been to cut it out of
a very large section like he showed me in the sawdust on the floor. This would have been super expensive and not quite as nice because the grain would have made a horizontal trace to follow the growth of the original plank. The more cost effective alternative would have been to have cut two or three pieces and join them, and this is what we had specified originally. The many-pieced bends are what you see around town with other builds of this design. Ours will be the only single piece beam. Whoop whoop!
backs of brick infill bits more of our jobThere are over 60 pieces for the rear bay alone. They’ll be stuck on the back of a lorry over the weekend, then up to us on Monday early a.m. They’re all labelled (red pen for front and green pen for back), and it’s great to visualise where the bits will fit in according to Dave’s drawings.
upside-down cross piece for gable with window rebates on the top er, … a truss strutIt’s amazing how casual they are about taking these enormous beams and cutting chunks into them. They tell me that all the hard work, i.e. measuring and planning, has already been done, so this is the easy part. Very impressive!
On the way back, I put the anchors on as I passed the Bluebell Vineyard shop. A quick u-turn later and I was in the car park alongside a very Californian looking setup with tasting room and a nice few rows of well-tended vines. All was well, and then a great big tour bus from Eastbourne carrying a large number of pensioners arrived. I thought I might have just enough time to buy a bottle of their finest before they wandered in, but they were quick, and I was too late. My bottle of bubbles will have to wait until next time. And I think there just might be a next time because we’ve got designs on a nice countertop shelf for the basin in the downstairs WC. Back to Neil’s this autumn I think!
from idyllic Sussex…. … to rainy base for our Thursday site meetingPaul the electrical guy was due to arrive, but he was stuck on the M25 unable to move. Apparently a crane (nothing to do with us!) blew up into a massive fireball on the M40, and travelling anywhere near London was a bit of a no-hoper today. We look forward to meeting Paul another day.
We also welcome Claire aboard the good ship St Anne’s. She’s designed an awesome kitchen, and she was onsite this afternoon to measure up and ensure that the drawings matched reality. Apparently this isn’t always the case, but on this job the plans and the build match decisively. She’ll now make up a set of drawings for review, right down to the lights, sockets and tiling. We’re looking forward to that!
Monday
Continuity–hooray! James is back onsite overseeing everything in his first pair of consecutive weeks in the job. Things are ticking along smoothly; but the brick team is running out of vertical interior walls to keep busy before the oak frame is installed next week.
We had a massive site meeting of the minds today: Dave the Architect, Tim the Contractor, Tom the Steels guy, Neil the oak guy, Paul the joinery guy, and of course James the Site Manager, Ben the Project Manager, and me tagging along trying to learn as much poss. Today’s lesson was: What’s a padstone? For those like me who have not a clue, these are extra strong blocks (not bricks) that the steel lintels sit on. Double doors require a steel above them to support the brickwork above, for instance. The brick team need to know the dimensions of the steels so they can set these padstones in the right places. Should be fine, right? They’re on the drawings. But if the steels are still somewhere between the drawings and physical arrival, the brick team usually waits until they’re onsite to line them up or they risk unbuilding what they’d already built off plan. And as luck would have it, this part of the project coincided with the engineer’s summer holiday plans, so we’ve been delayed in getting them even on paper. We’ve been playing the game of keeping the brick team onsite doing the interior blockwork when they’d really rather be getting on with setting the padstones and building the exterior walls. Next week, hopefully.
crowded houseThere was much discussion of how the oak frame will tie into the brick work. The frame is a really special thing–it’s meant to be completely self-supporting. As in, if you put it all together in the garden, it would stand up by itself. I totally respect the integrity of the structure and think it’s really important to have it do what it looks like its doing, and not pretend. A nice part of the build. We’re all looking forward to seeing it go up, so next Monday will be an exciting day.
There is a large A-shaped steel on the rear of the building between the oak frame and the brickwork that has yet to be finalised and manufactured, and this will be mainly to support the roof ridgeline. The roof is a very complicated thing, and although much of today’s meeting was spent discussing erecting the oak frame, Dave was on hand to make sure we don’t mess up the roof dimensions so that the pitch of steels matches the pitch of the oak once it’s up. Exactly. Tim wants to minimise the number of crane-days (too right, they’re bank), so it’s quite a job to line up the trades requiring cranes all on the same day/s. There are steels, oak frame and floor panels to juggle.
front gableOne decision that had to be made today concerned the bowed beam on the front porch. We’ve spent a lot of time trying to get the look of it right: how thick, where to place it front to back in the frame, what circumference the bend should be…. But just to make things interesting, Neil arrived today with an idea. He said that he’s very lucky in that he has the luxury of spending time (he’s been part of the job since February, so that’s a while!) sourcing pieces for his jobs from all over Europe, and that he had found the Perfect Beam for this job. The one he’s picked is bent at just the right angle across the whole of the piece so that the grain follows the bend beautifully, and the beam can therefore be made of one piece. Previous designs had two or three chops in it to achieve the right bend. Dave says the chopped approach would make the build look like a pub. St Anne’s Arms? Clearly the single piece is the better option. It will be slightly skinnier as a result of The Perfect Bend, and it will now match the width of the vertical beams between the windows rather than the chunky vertical corner pieces. I’m sure this will all make sense when it’s up, and I imagine it will look quite elegant.
Ben says it will be amusing to watch me give tours of the finished product. He reckons I’ll be waxing lyrical about the cunning oak-brick tie-ins and the effective placement of the cranked steels when really all they’ll really be interested in is the nice paintwork and some colourful vases. We’ll see if I will be able to contain myself….
In the meantime, Mick, Paul, Dave, Glen and Johnny just keep happily laying more and more bricks…..
The alternative would have been to cut it out of
